Originally Universal Studios had planned to make a film
entitled The Wolf Man versus Dracula which would have been a direct sequel to Frankenstein meets the Wolf Man (1943). In this film the Wolf man would battle with
Dracula . At the climax the villagers would raid the house, and the Wolf man
would kill a large number of them. The Hays office rejected the script for
being too violent so a much tamer script was written by Edward T. Lowe Jr.
which was titled House of Dracula (1945). The film was directed by Erle C. Kenton, who
had also directed Island of Lost Souls (1932), The Ghost of
Frankenstein (1942) and House of Frankenstein (1944).
The cast of House
of Dracula (1945) was comprised of veteran horror stars including:
Lon Chaney Jr. making
his fourth appearance as Lawrence Talbot / The Wolf Man.
John Carradine in his second appearance as Count Dracula.
Carradine would go on to play Dracula on stage, once on television (in a 1956
episode of "Matinee Theatre"), and in three more features,
Billy the Kid versus Dracula (1965), The Vampire Girls (1967),
aka ("Las Vampiras"), and Nocturna (1978).
Lionel Atwill made his fifth and final appearance in a
Frankenstein feature, he also appeared in Son of Frankenstein (1939), TheGhost of Frankenstein (1942), Frankenstein Meets the Wolf Man
(1943) and House of Frankenstein (1944).
Jane “Poni” Adams as the sympathetic hunchbacked nurse,
Nina. She also known for appearing in Lost City of the Jungle (1946), The
Brute Man (1946) and two early
adaptations of comic book inspired
franchises: Batman and Robin (1949) and one episode of Adventures of Superman
television series as Babette DuLoque in
1953.
Glen Strange, a former rodeo cowboy made his second appearance
as Frankenstein’s creature, he had previously played the creature in House
of Frankenstein (1944). He is best known for his role as Sam the
bartender on the classic CBS western Gunsmoke (1955) series from 1962
until 1973.
Strange underwent an ordeal while filming the scene were
Frankenstein’s Monster is discovered trapped in quicksand. After three hours of
makeup each morning, Strange would spend the rest of the day buried in cold liquid
mud (which was meant to be quicksand).
"Then everybody else went out for lunch," Strange
recalled. "By the time they came back, I was so cold, I could barely feel
my legs."
Lon Chaney Jr., suggested to Strange that he could use
alcohol to keep himself warm. Throughout the day of filming, Chaney would pass
a bottle of whiskey to Strange in between takes. Strange later recalled, that he
was so drunk by the end of the day that he could barely dress himself after
removing his monster makeup and costume.
House of Dracula (1945) actually featured four different actors
in the role of Frankenstein’s Monster. In addition to Glenn Strange, Boris
Karloff plays the Monster in footage taken from The Bride of Frankenstein
(1935) and the climatic scenes of Frankenstein’s creature trapped by the fire
was taken from the ending of The Ghost of Frankenstein (1942),
where Chaney played the creature. Therefore, when Chaney (as Talbot) shouts to
the villagers to "Get out! The Frankenstein Monster!” he in reality
running away from himself and Eddie Parker, who was Chaney’s stunt double in
the earlier film.
One of the few highlights of this film was the ingenious
makeup created by Jack B. Pierce. And this would mark Pierce’s last time to
work with the monsters that he created. Pierce had created the makeup for
Frankenstein’s creature, the Mummy, the Wolf Man, Dracula and a host of other
Universal monsters. But as new more efficient makeup techniques became
available Pierce refused to change his methods and after more than two decades
he found that his services were no longer needed by Universal Studios.
House of Dracula (1945) was released on December 7, 1945. It
was the sad swan song for three of Universal’s classic monsters, Frankenstein’s
creature, Dracula and the Wolf Man. It was the last film to feature all three
of Universals classic monsters during Universal’s Golden Age of Horror with the
exception of the Abbott and Costello comedy, Abbott and Costello meet
Frankenstein (1948). By the time of the film’s production Universal was
merely turning out horror films for a quick easy buck and as a result House
of Dracula (1945) suffers in production value and story line. The
monsters that had made Universal so much money in the previous decade deserved
much better, and so did their fans.
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