“Welcome to my House! Enter freely and of you own will!”
Dracula 1897
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Life for Bram Stoker began on November 8, 1847
in Clontarf, Ireland. A strange illness kept him bedridden for the first seven
years of his life. It was not until after he was seven years old that young
Stoker began to walk. During his long illness he was totally dependent upon his
mother who introduced her young son to scary stories of superstition and local
folklore. Stoker’s mother told him strange tales of creatures who came back
from the dead and threatened people and tales of children being stolen away in
the night. She also shared her experiences of the cholera epidemic when she was
a child and how people were hauled off and buried alive. Of his early childhood
Stoker once wrote, "I was naturally thoughtful, and the leisure of long
illness gave opportunity for many thoughts which were fruitful according to
their kind in later years."
Whatever
the strange illness was that plagued Stoker in his early years he apparently
made a full recovery with no recorded relapses during his lifetime. During his
college years, Stoker became a star athlete. He excelled at rugby, race walking,
and gymnastics and became the athletic champion of the year at Trinity College
where he received a degree in mathematics.
After college Stoker’s father helped him get a job as a civil servant at Dublin Castle were the elder Stoker also worked. It was during this time that Bram Stoker began writing theater reviews as a means to escape from his humdrum life. Stoker had become interested in theater during his college years and became a theater critic for the Dublin Evening Mail Call which was co-owned Joseph Sheridon Le Fanu who was a writer of gothic stories. Two of Le Fanu’s stories, Carmilla and The Room in the Dragon Volant would not only become the basis for the 1932 French-German horror film Vampyr, but would be a major influence on Stoker’s writings.
After college Stoker’s father helped him get a job as a civil servant at Dublin Castle were the elder Stoker also worked. It was during this time that Bram Stoker began writing theater reviews as a means to escape from his humdrum life. Stoker had become interested in theater during his college years and became a theater critic for the Dublin Evening Mail Call which was co-owned Joseph Sheridon Le Fanu who was a writer of gothic stories. Two of Le Fanu’s stories, Carmilla and The Room in the Dragon Volant would not only become the basis for the 1932 French-German horror film Vampyr, but would be a major influence on Stoker’s writings.
Although
theater critics were held in low regard in this time Stoker was noted for the
quality of his reviews. In December 1876 Stoker gave a raving review about
Henry Irving’s performance in Hamlet at the Royal Theatre. Irving at this time
was the world’s most popular stage actor. Irving read Stoker’s raving review
about his performance and invited the young man to dinner at his house. That
evening at dinner, Irving presented Stoker with an autograph photograph of
himself. This dinner with Henry Irving would forever change Stoker’s life. The
two men soon forged a friendship that would last until Irving’s death in 1905.
In 1878 Stoker married Florence Balcome. Bolcome had once been engaged to Oscar Wilde but broke off the engagement. Stoker and Wilde had attended school together and were friends. The marriage did strain Stoker’s friendship with Wilde, however the two men did reconcile later in life.
In 1877 Irving bought the 2,000 seat Lyceum Theater and asked Stoker to manage it for him. Stoker agreed and in 1878 at the age of 31 he and Florence moved to London. There Stoker became the manager of the most prestigious theater in London for the most famous actor in the English-speaking world. The cream of society including Mark Twain, Sir Arthur Conan Doyle, Oscar Wilde, and George Bernard Shaw flocked to the Lyceum Theater making it one of London’s premier hotspots.
In 1878 Stoker married Florence Balcome. Bolcome had once been engaged to Oscar Wilde but broke off the engagement. Stoker and Wilde had attended school together and were friends. The marriage did strain Stoker’s friendship with Wilde, however the two men did reconcile later in life.
In 1877 Irving bought the 2,000 seat Lyceum Theater and asked Stoker to manage it for him. Stoker agreed and in 1878 at the age of 31 he and Florence moved to London. There Stoker became the manager of the most prestigious theater in London for the most famous actor in the English-speaking world. The cream of society including Mark Twain, Sir Arthur Conan Doyle, Oscar Wilde, and George Bernard Shaw flocked to the Lyceum Theater making it one of London’s premier hotspots.
Despite
his enormous responsibilities running the theater and managing Irving’s career
Stoker still found time to write. In 1881 he published “Under the Sunset” a collection of eight creepy fairy tales for children.
In 1890 Stoker began his research on the subject of vampirism. He wrote his
notes and manuscript on whatever he could find available, scraps of paper,
hotel stationery, and even napkins. Stoker was an excellent researcher, using
his skills as a newspaper reporter, he studied the tiniest details such as train
schedules, maps, and geography. He spent several years researching European
folklore and stories of vampires. It would take over seven years for Stoker to
write the novel “Dracula.” He wrote
whenever and wherever he could, this of course would help explain why there are
several internal inconsistencies in the novel.
The original 541-page manuscript of
“Dracula”, once thought to be lost, was found in a barn in Pennsylvania during
the 1980s. The manuscript was type written, but the title “The Un-Dead” was
handwritten. The novel’s main character, “Count Dracula,”
was originally named “Count Wampyr.” Stoker had come across the name Dracula
while researching the history of Transylvania and discovered the name Dracula
meant “son of the devil.” This prompted Stoker to change the name of his main
character.
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In
Victorian England the vampire was sometimes used as a metaphor for immigrants
or in some cases repressed sexuality. But some scholars believe that Dracula
may have been a more personal and deeper metaphor for the author’s life. Henry
Irving was a demanding employer and Stoker was in charge of every aspect of the
theater and of Irving’s social and professional commitments which left little
time for Stoker’s personal life. It is for this reason that some scholars
believe that Irving may have been the model for Count Dracula a character who
sustains himself by draining the life from others. And if this hypothesis is
true it is very likely that Stoker was a model for the character Hawken, who
found himself trapped inside Castle Dracula with no means of escape.
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